October 06, 2002
Minard!
Peter posted a link to Charles Minard's 1871 obituary on InfoDesign last week. ID fans and regular readers of IDblog know that Minard was responsible for this graphic, which Tufte has described as "probably the best statistical graphic ever drawn." I first saw this image back in 1984, when I was a geek programmer and member of the ACM (ya gotta love the web ... it turns out it was Jon Bentley's June 1984 Programming pearls column). I still have that image...it's framed and sits on my desk at work and, in retrospect, was my first toe-dipping into the pool that I would later come to know as information design. Given this, I was one of those who was a bit dismayed when STC published an article by Dragga and Voss in the August 2001 Technical Communication that criticized this diagram: By omitting the human misery caused by that military campaign, the illustration could be said to constitute a distortion of the reality that escapes the statistics. The graphic isn't so much deceptive, however, as it is plainly inhumaneinsensitive or indifferent to the human condition it depicts. Frankly, I had found that the diagram was incredibly compelling in its description of the human misery. And at the time, STC members like Bill Sullivan were very critical (as were a number of TC readers who responded in subsequent issues in the editorial section). Why? Well for one, here is how Dragga and Voss suggested that Minard's diagram could be improved: Surely they jest. It is true that at first glance, the absence of hokey clip art crosses and men on horseback may make the reader work just a tad harder to understand the implication of the width of the line on the graph. But once realization hits, perhaps for some, the "image is gripping; and, especially today, it inspires bitter reflections on the cost to humanity of the madnesses of conquerors and the merciless thirst of military glory. " The quote above came from the obituary mentioned above, written by his son-in-law. Charles Joseph Minard was in his late 80s when he drew this graph. He was able to spend this time on this pursuit in part because of his forced retirement as general inspector of bridges and roads. The obituary is interesting in other ways, in part because it is fairly long (and his son-in-law comments about the fact that he was slow to gain any accolades ... "[His] advancement may appear a little slow for the time in which he lived. The truth is that Mr. Minard did not know how to value himself, and it is only around the end of his career, when numerous and brilliant services were highly demanded of him, that just rewards came to reach him.") There are other interesting snippets in the obituary: In the middle of these delicate operations a terrible blow came to strike him; a son who was entering into his second year was taken from him in a few hours by one of those pitiless illnesses that decimate children. and Mr. Minard had since his most tender youth frail and delicate health, which was only supported by a sober and regular life, and which resisted in this way the attacks of the weather. and His devoted companion, one of his sons-in-law and his youngest daughter had the sad consolation of softening the bitterness of his last moments. His other daughter and his other son-in-law (the author of this notice), confined in Paris during the siege, only knew after the armistice the cruel loss they had suffered three months before. For me, these are really emotive paragraphs (even without pictographs).
Comments
I agree: the revised version looks like the box-cover for the game of "Risk". I thought one of the rules of Information Design was to focus on the essentials and reduce screen clutter. We know that Minard's graph is about Napolean's army - and unless we're a bit dim, we know that armies are made up of people. Yes, sometimes graphics can de-humanise, but then so can your selection of words in a speech, figures in a spreadsheet or edits on a news bulletin. -- Posted by Mark Thristan on January 16, 2004 11:27 AMThe purpose of any graphic is to easily and effectively convey a large amount of information in a small amount of time and space. Minard's original does this quite effectively. The best thing about Minard's original (unlike the "revision" above) is that Minard left interpretation of the data he presented to the individual observers of his graphic. The bad thing about many (most?) "briefs" that audiences are forced to suffer through today is that the presenter seems to assume the audience is composed of moronic dullards that the brilliant briefer has to hit over the head as often as possible with the obvious. I don't need to see blood dripping from Minard's masterpiece to realize the utter devastation suffered by the members of that ill-fated march. I can imagine that. In fact, I can still remember the first time I looked at the Minard graphic - and the queasy feeling in the pit of my stomach when I suddenly realized what the thickness of the bar meant to the members of that march. I've read historical accounts of the campaign and was not impacted as heavily by those as by the stark simplicity of what is depicted by Minard's original work. Minard required a little work on the part of the observer to fully glean information from his graphic. The "fast food society revision" tries to force the observer to come to the same obvious conclusion, by (like most presentations many of us attend today) beating us over the head with it as many times as possible in the obvious hope that something might sink in. Minard's original is also on my own wall as a reminder of the vast amount of information that can be powerfully and effectively conveyed by what is really a relatively simple graphic. -- Posted by on March 25, 2004 10:49 AM
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IDblog is Beth Mazur tilting at power law windmills. A little bit Internet, a little bit technology, a little bit society, and a lot about designing useful information products. Send your cards and letters to .
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